I create mixed media landscapes that use meticulously collected paper collage pieces including maps, newspaper, photos, symbols, menus, and more.  These pieces are arranged and glued down in a thoughtful design to explore how I "see" and experience the nature around me and the God who made it.  Once sealed, I use thin layers of oil paint to create the landscape image which at times cloaks the collage and at others, accentuates it and gives it new meaning.  My painting process is a visual journal of my journey and how I relate to the world around me.   

The landscape images I choose to paint are always connected to me in either an experiential fashion and/or emotive.  They are quiet, contemplative sanctuaries where I find purpose, meaning and most of all, love.  

Born in Philly, raised in Baltimore, and now living in the idyllic countryside of Chester County, PA.  I am a contemporary realist painter and jewelry artist. Creating has always been a huge part of my life from a very young age. I would spend endless hours drawing, sewing, baking and generally immerse myself in some form of craft. My mom supported my interests and enrolled me in ballet and art classes. The ballet didn't last but the art was my happy place. I would walk into the studio and feel at home. But my world was rocked at the age of 13, after my dad was killed in a very tragic car accident. I questioned how life could be so cruel for my family. The single thing that brought me comfort was painting. So that's what I did. There's so much more to my story, but I have to say that art has healing powers not only for the artist, but for those that appreciate the value of what artists create. 

I obtained an undergraduate degree in Studio Arts from Towson State University and an MA degree from the University of the Arts. For over a decade I taught art and design courses at the community college level and graduate courses in the Museum Studies Graduate program at UArts. I have worked as an art conservation technician at the Philadelphia Museum of Art in objects and textiles, a freelance graphic designer for non-profit organizations and exhibition design. My exhibition and graphic design work can be seen in two permanent exhibits at the Academy of Natural Sciences, as well as many projects with Rutgers University and the Philadelphia Museum of Art.

There was a long period of time when painting and art were not a part of my life. Divorce, raising kids, and economic survival took center stage. In 1996, life took a turn and I was able to dust off my brushes and paint again.  A workshop in 1999 turned my world around and I became intrigued to learn and study the "Hensche" method,  an approach to color and light that was taught by Henry Hensche of the Cape Cod School of Art.  Over the years I've had the pleasure of taking countless workshops with very notable artists that I admire. Most recently she has mentored and studied with the following distinguished artists; Anne Blair Brown, Nashville TN; Lori Putnam, Nashville TN; Sarah Sedwick, Eugene OR, and Natalie Italiano of Studio Incamminati in Philadelphia. 

I create realistic acrylic paintings of small objects. Using grayscale and pops of color, I draw attention to the uniqueness of ordinary items. My work encourages you to notice the details of everyday life and appreciate what each individual brings to the whole.

My paintings are as much about people as they are about the objects themselves. Each of us brings our unique self to the world, comprised of all our experiences, abilities, and challenges. I hope my work serves as a reminder to celebrate the things that differentiate you, because we all have something important to offer. 

My career is in the building industry, so don't be surprised if you see some elements of architecture and construction in my paintings!

In space, no one can hear you (or your kids) scream.

I find space so calming, perhaps because there's no sound associated with it. But it's also exciting with endless possibilities.

Cats are the same - playful and prone to napping.

I'm Angi Beauheim, a watercolor and small-scale metal artist, located in Loveland, Colorado. My work uses traditional techniques and stylized images in a way that I hope will add a smile to your day. 

Enjoy the colors and calming mood, or imagine the untold adventures that await these cats. Be soothed or scintillated.

Find calm in the chaos.

 My work reflects balance and harmony. My landscapes capture that feeling of satisfaction you have at the end of a busy day when you put your feet up and take a deep breath. Light, color and texture invite you into paintings where you can pause and savor a peaceful moment.

My landscapes are reminders to take time for yourself. I am a better friend, mother, wife and daughter if I carve out time to nurture myself. Being in nature is that time for me. Outside I am totally in the moment and able to leave the rest of the world behind. When I return, I’m ready to be with people and to pick up the “TO DO LIST. Life is a balancing act. Energy needed to care of business and others must be balanced with energy we need to take care of ourselves.

Favorite places of inspiration include the Eastern Shore of Maryland, the New Jersey Shore, the Brandywine River Valley, Hudson, New York and Maine or anyplace that can be seen from my kayak or while hiking. Trips to France, Italy and Ireland have also energized my work

Pastel is my medium and I have been working with it for over 30 years. I love the immediacy, vibrant color that pastel provides. I paint at my studio, Aston Mills Arts, outside of Philadelphia and am open by appointment throughout the year.

 During the 25 Days of Minis watch for my series of:

* Marsh Sunsets

* Lavender Fields

* Yellow Fields of wildflowers and sunflowers

* Water and Sky views seen from my Kayak

I grew up in South Louisiana surrounded by animals, and as kids we spent our days riding horses and playing in fields. As I got older, and my interests diverged from that of my family’s, I began to find solace in the company of animals. Being with them was often the only place I felt accepted – a feeling that I find often still rings true today. I choose them as my subjects because they accept us exactly as we are. They are there for us no matter what and always give of themselves wholely.  I find our pets to be great teachers - they can teach us the value of teamwork, the comfort of just sitting with the one you love, and the joy of living life as it comes. I strive to convey these ideas in my work and through my connection with animals, find greater connection with humans.

From a technical standpoint, each of my works begin with gathering reference, visual and informational, to planning the layout with at times intricate patterns of my own design. All in an effort to weave together typography, modern aesthetic design and color usage, with the main subject. Is strive to reach the technical level of some of the old masters with my subjects while combining that with more contemporary backgrounds.

My favourite picture from childhood is of me kneeling at the kitchen table with a pad of paper and a huge juice can of crayons. And a huge smile on my face!

I think I intuitively knew that this was an activity that was personal and yet social, exploring skills and personal expression while connecting with others in sharing the art work. Through art making I find the same balance in my life today.

Working in the studio with colour and texture satisfies a desire for exploration and play and new ideas simmer. The ideas expand on my outdoor drives, hikes and paddles, where I begin to view the landscape as an animated series of abstract shapes. Even deep conversations with others can develop into compositions in my mind, intensifying my appreciation of those dialogues and offering personal insight.

Honouring the mystery and beauty in the natural world and allowing a return to special places through imagery becomes a combined delight when I am able to share my work with others.

If not today, then When?

If you see a broken seashell, and feel sad for it; if being in a forest, surrounded by tall, majestic trees makes you feel like you're in a place of worship; if you see something old, and it makes you wonder about its past life and the people who owned it, then, you understand my art.

As an artist, I feel an urgency to capture the essence and energy of my subjects before they change. It is on my canvas where I can make  flowers live forever and summers to never end.

I'm an avid outdoor painter, only coming into the studio when the New Jersey winter gets too cold. Then, I work on my still lifes, which I love as well.

Besides painting, I love to run, to take my German Shepard dog for walks, and tend to my garden.  But most important is spending time with my family, being of help to them in any way I can.

I am a chef in the Caribbean on a yacht for half of the year and I live in beautiful Lake Tahoe, CA the other half. I grew up in Philadelphia and Virginia and get back to see my family as much as possible but all of these places are a huge inspiration for my collages. Ocean scenes, bears, feature films and Ben Franklin are among my favorite subjects!

My mother is an artist so I was able to grow up playing with all of her art supplies and witness what was possible. I received a National art award in high school that lead to receiving Marion-Ebertt Wholle Scholarship to get my Fine Art Degree in college. I discovered collage after college and fell in love with cutting up paper..who knew. I've been showing my work, mainly in Philadelphia for over 15 years and moved out west after being accepted into the Artist Residency Program at the Chiricahua National Monument in Arizona where I wrote and illustrated a children's book (stay tuned!). My work is sold in Galleries in Lake Tahoe and the British Virgin Islands but join in on my mailing list to get first dibs on my latest collections. Thanks for stopping by and I am so excited to share these minis with you!

I hope that my images might connect us; in the personal beginnings of selected objects, there is something universal in the stories and memories they evoke. This is something that connects us all, across time. These are images about care, about significance, about cherishing a moment as it passes and remembering it fondly when it visits, perhaps whispered by one of those silent objects. Family, traditions, and that sense of belonging are depicted throughout my work as I use bold brushstrokes in oils to create still-life paintings that inspire a universal feeling of nostalgia.

I am An Artist living in Wyoming... A mother of 5 incredible humans... A Geek at heart... A caffeine-dependent life form.

A human... Being.

I am a painter. Mixing and manipulating oil paint with 13" brushes I create paintings that capture the light, form and color of people, places, and things. 

My work is contemporary realism. I love contrast and color. Painting for me is finding the solution without all the details and distractions. 

I was born and raised in New Rochelle, NY. My father was an artist and advertising executive who had a strong influence on me, and my art. 

There was a time in my life when I felt the burden and stress from trying to do everything. We put impossible demands on ourselves and then feel overwhelmed when we fail to get it all done. I know now, we are all worthy and you simply don't have to do it all.  

My journey has been to simplify the complicated and be happy by leaving some things undone.

Celebrate the little things! In the haste of everyday life, art is my way to capture, recognize, and appreciate the little things and people that matter the most. My art serves as a reminder of even the smallest moments with family, that spark joy and gratitude.

My collection for this year's 25 Days of Minis is titled, "Sweet Celebrations." This collection shares how the sweetness of the holiday season, and other moments year round, are connected to special moments with loved ones. It is a visual celebration of family. Enjoy!

I illustrate the innate value of every person through the beauty of creation, places, and especially of the human face and form. I use cast-off treasures like paper scraps, bible scripture, typography, stamps, handwriting, parts of old photos and other embellishments, with highly-rendered main subjects to make a new creation which emphasizes the hope of redemption and new life from discarded things. The result is a one-of-a-kind painting.

Every person is important, created for a purpose in this life. Everyone has gifts, talents, a story. That mixture of the innate and experiential—good and bad experiences—makes a unique, special and beautiful person, loved by our Creator.

Like people, my work has many layers of detail, and stories that whisper just below the surface. With the current clashes of hatred and violence between people in this world, if I can show the value and treasured identity of human beings and what we were created to be, maybe I can encourage people to think about their neighbor differently, and with love and hope.

As an artist, I believe your work is a compilation of your life experience. For me, it truly has to do with focusing on and creating more of life's simple pleasures through my work. I have always had a deep appreciation for how my direct environment can enhance the way I feel. It has led me to explore a blend of fine art and surface design. Creating artwork gives me the space to meditate and adventure in my direct environment. I love to experience the feeling of discovery and that is something that happens within my creative process. Much of my work is inspired by my early childhood and my appreciation for the many layers of beauty within nature. In addition to creating artwork, I run a boutique branding agency just outside of Phoenixville, Pennsylvania. When I’m not working you can find me chasing my toddler or dogs around our home, reading, daydreaming about Italy, or adventuring in our local landscape.

I see the world as being full of magic moments of intense color vibration and pulsating energy. By exploring, observing, examining, and experiencing everything around me, I have developed a true appreciation for the natural world. I take in my subjects and react to them with bold color and expressive marks. Those magic moments in life are fleeting, and I try to record that experience for the viewer.

It is my intention that when viewers encounter my work, they may see in new ways. Hopefully, they will stop rushing about their daily busyness, get outside, and take time to really LOOK and rediscover. They may come to see that there is more to life and the world than they presently know, and this can help them to live a fuller existence. 

I am an oil painter of small vibrant palette knife paintings. In my work I seek to create a sense of place, capturing the light, atmosphere, energy and soul of my subject. With my knife, I describe what I see with layers of paint--sometimes loading it on in bold strokes, sometimes sgraffitoing by drawing or scratching into the wet paint, often almost sculpting the paint to tell my story. The subjects that inspire me most are waterways, skies and sailboats; animals and birds; and gardens and nature. My goal is to create a joyful and sophisticated work of art that speaks of the beauty found all around us, painted with love and thoughtful abandon.

Growing up in the city of Philadelphia, drawing chalk animals in the street, especially horses, I am drawn to gesture and movement in all living things.  You can recognize a person or an animal just from the tilt of their head or shift of their weight.  All living beings have this identifiable quality.  I love capturing this quality in my paintings.

I want to paint the uniqueness of any subject, figures, animals or still life. When I look at someone or something there is a certain moment that captures my imagination and inspires me to capture that in paint. There is something about shape and color that I love.  Mixing up paint and pushing it around on a surface is sooo satisfying.

I am a lifelong student studying this art passion that possesses me.  There is so much to see and discover and share.  Painting at the easel is such a joy and time goes by quickly.

My studio is a hybrid of oil painting and papermaking with installation, earthworks, printmaking, sculpture, and fiber arts, serving as additional “brushes.” 

Identifying as a mind’s-eye whisperer, I represent the unobserved, finding gold in the wounds of imagined spaces. Why unobserved? We cannot “see” because we look out, when we should be looking in and we are so easily distracted.

I am in love with the world, weaving luminous bundles of amazement out of life’s mysterious fragments. You can find me escaping the constraints of the explainable. 

My artworks are slow, love letters that transport us along the lifeline of our desires, through veils of experience and behind our own scenes.  Speaking in the visual language of the subconscious, my work invites you to stay awhile.

Such ethereal works yearn for a solid, foundation. With a nod to the ancestors, the paintings begin with a mix of oils, linen, copper nails and hand made paper.

I am a life-long 'maker', working professionally as an architect, and dreaming of becoming an artist.  I have been a creative within the natural world in the forms of fine arts, design, and architecture for as long as I can remember.  Taking inspiration from nature and my own sense of adventure, I am passionate about ecological conservation, design and construction, finding the beauty in difficult circumstances, and celebrating the light that inevitably shines after the storm passes.  I am also a wife, mom to two little ones,  a USCG boat captain, and bit of a wild card.

In working with the encaustic medium, I am able to create paintings that suggest depth, dimension, and luminosity. The wax is malleable and somewhat unpredictable in the way it lays down on my board, is reheated, scraped back, and then built upon.... revealing layers that you didn't see at first glance.

The architect in me loves 'building' the painting, creating a three dimensional piece that tells a story. The artist in me loves the freedom that working with this medium provides. It forces me to let go of control and be open to possibility.

To go on an adventure with each painting.

I discovered how much I loved drawing animals with charcoal in 2020 and have been drawing them ever since! Sweet, swift, naughty, pesky, cheeky, noisy, sleepy…the animal kingdom provides endless possibilities for my vine charcoal drawings.

Animals unapologetically do their thing. Uninhibited and unselfconscious in every way, they are my absolutely favorite subject matter. Whether it is a hungry little fledgling demanding food from Mama bird or a pesky chipmunk waiting for a perfect moment to nibble on someones garden, their expressions are 100%  authentic - I love to explore their antics and their expressions and charcoal lends a lovely expressive warmth to each drawing.

I hope my art and my story encourages others to find their "thing" and pursue it enthusiastically. I feel so fortunate to be on this artistic journey where I  get to share a little beauty and joy with my animal drawings 

I am originally from Dublin, Ireland and live on Boston’s North Shore with family and, of course, several pets.

I have been making paintings of domestic spaces for over a decade - they present the opportunity to paint geometric and organic shapes, as well as patterns. 

After completing my MFA, I taught at a collegiate level and received several national grants for my work with a community driven art installation which I launched in 2013.

Now I focus exclusively on my personal studio practice.  Although it is a full time endeavor, I continue to keep a part time job with a local independent bookstore.  Connecting people with books is one of the most important contributions I can make as a citizen of the world.

These days, I live and work in Pennsylvania with my husband and young son.

Introspection leads to personal transformation. Reflecting on our internal journey, asking ourselves honest questions, pondering over our life experiences, is an integral part of our growth process. A deep connection is made with the Self where we attain a greater understanding of who we really are. We know it is a difficult process but the self-confidence and self-growth that we experience afterwards and the transformation we sense within ourselves, changes everything around us. A new us is born.

Art has been transformative for me. There is a lightness of being after every artwork I create. I feel like a butterfly coming out of its cocoon.

Before I start to paint, I tend to close my eyes to process what the soul is experiencing. The feelings and emotions then flow onto the substrate in forms of lines, deep marks, colours, forms, faces and figures, each telling a universal story of life, its experiences, of fears, triumphs, love, loss, happiness, all the qualities that make us human.

Landscape painting enables me to combine my love of the outdoors with my need to make art. My work is representational, illustrative; but I choose not to capture a precise likeness or rendering. Instead, I respond to an idea inspired by what I see and how it appears to me. I compose the elements of the picture into the shape of the canvas, moving or adjusting them to what feels right. I use color, light, and texture to support the central idea that expresses what I am thinking and feeling. I strive to capture the whole of my experience on the canvas and share it with you.

Six years ago, my daughter introduced me to Natural Lands’ Stroud Preserve. Stroud boasts 570 acres of open fields, woods, and rolling hills a few miles from my studio in West Chester, Pennsylvania. It is a beautiful place to wander and enjoy the out-of-doors. It is also convenient, quickly accessible when weather conditions or a promising sunrise or sunset seems likely to occur. Over time and with each successive visit, I began to see Stroud in motion, as it moved through the seasons in our journey round the sun.

I became captivated with the constantly changing light and color of the landscape. The soft light of morning, the brilliance of a sunny afternoon, and the warm, orange glow of sunset change with the temperature of the air. The hilly terrain and the contrast between open fields and woods all reflect the changing light differently.  And then there is the Brandywine creek that meanders through the landscape with clusters of trees and thick undergrowth along its banks. I saw paintings everywhere I looked.

My experience has inspired a larger project; “A Year at Stroud.” I’ve begun the creation of a body of work that tells the story of how I see this place and why it has become so meaningful to me. I also realized that this experience is a gift from Natural Lands. It made me feel grateful to them for providing this beautiful place for all of us to experience and enjoy the beauty of our home.

It is in that spirit, I have pledged to donate 10% of the proceeds from my paintings and prints to support their important work in preserving open space for the benefit of future generations.

 "The stroke is just like the artist at the time he makes it. All the certainties, all the uncertainties, all the bigness of his spirit and all the littlenesses are in it." ~Robert Henri

I am a painter and art teacher residing in Chester County Pennsylvania. I have always known I was an artist for as long as I can remember.

I paint for the palpable pleasure of touching brush to canvas, the joy of color, the lushness of paint itself and its ability to describe how I’m feeling.

My studio is filled with some of my favorite things: flowers, vases, vintage dishes, animal figurines and most of the time my dog, Willow.

Painting is romantic and it’s sensual, it allows me to connect to and be with a variety of feelings including bliss, harmony, contentedness and sometimes sorrow and melancholy.  It makes me ache either way and I am addicted to those feelings for they are the ones that let me know how much I love being alive and connected to others, whether in pain or joy.

My paintings are my love letters to life. They say what I have no words for..... I feel incredibly lucky to be a painter. 

I am a graduate of Tyler School of Art, Philadelphia Pa and hold a BFA and M. Art Ed. 

This year's show of mine is dedicated to my mother who worked with me in poring over the lovely poems that accompany my work here. My mom is a retired high school english teacher, my biggest fan, my best friend and has walked with me through all the pain and everything beautiful in this life.  I love you, mom. 

I paint what I see — This is a simple thing to say. But as we look around us, what do we see? As an artist, I focus on seeing better as part of learning to paint better, and that is my ongoing adventure. 

And what catches my eye? — It could be the way sunlight transmits through a leaf, or the shape of a shadow falling across a face. Exploring close to home, I gather shells and acorns, pottery and buttons. Traveling, I delight in both exotic and mundane experiences. I bring these to my paintings. The world offers bounty, and we use it in endless creative ways. More and more, I find myself enjoying painting at that intersection between the natural and man-made worlds. I am engaged by the beauty, story, and humor there, mingling like flavors in a pot. With a dash of curiosity, sometimes I see familiar things in new ways. 

How do I work? — Whether painting people, places or things, I try to communicate the subject's inherent energy. Sometimes I start with something currently appealing to me and arrange it with complementary and/or contrasting elements. Other times, I spot a scene or theme that I use as the foundation for a painting. I aim for art that is accessible, cohesive and harmonious, creating a sense of space with a cooperative relationship among the shapes, colors and textures within. And I love the feel of oil paints. My connection with art materials themselves is visceral. 

As I have met many life challenges, it has been increasingly clear how important it is to have fun with and through it all. My main challenge these days—and source of fun—is to express my simple pleasures in my paintings, and to share them with those also having fun engaging with the stuff of life. 

"A little Broken and Uniquely Beautiful." My hope is to help people see the beauty that is within them: that being a little broken does not have to be anything less than beautiful!

I often thought that I was too broken, that I was too damaged and unworthy; unable to do the hard things, but, through love, through family, through friends and very importantly, through my art, I have come to realize that I am a heck of a lot stronger than I thought! I can do hard things!

"Kintsugi" is the centuries old Japanese art of putting broken pottery pieces back together with gold - it is built on the idea that in embracing flaws and imperfections, you can create an even more stronger, more beautiful piece of art. Every break is unique and instead of repairing an item like new, this technique actually highlights the "scars" as part of the design. Using this as a metaphor for healing ourselves teaches us an important lesson: Sometimes in the process of repairing things that have broken, we actually create something more unique, beautiful and resilient. 

We all may be a bit broken but, that is what makes us all uniquely beautiful! Let's own that and make it our super power!

I am a mixed media artist who just loves texture in my work! I use mark making and my own personal forms of symbolism, and lots of gold, to share my stories through my art.

xo, Holly Lee

I am a mixed media artist with background in biological sciences. My work synthesizes elements from  natural and urban environments. It's a joyful reflection of the forms and colors found in the world around us. There is energy in things such as plants, animals, oceans, and human habitats.

I often combine acrylics, inks, pencils, newspapers and photo transfers, exploring interesting light and composition in all sorts of subject matter. I want to capture the fleeting exuberance of flowers, beauty of ornate textiles, decadent urban decay, and people being in their environment.

I create a world that is an intimate expression of my thoughts and feelings. At age 50 I disrupted the status quo of my day-to-day and stepped into my creative life. My figurative sculptures are a record of that process. I hand sculpt each one in kiln fired clay. Each face is hand painted in layered underglazes to create a worn and weathered feeling, as a reminder to me of the impermanence of things.

First off let's just get it out there...I LOVE CHRISTMAS!

A little bit about my art - I create textural art pieces which incorporate representational form with the printed word. In essence, the visual and written symbols merge to create a unique aesthetic language that is both provocative and whimsical. My multiple-image pieces, range from polka dots to popular culture, evoke emotions and memories in the viewer. The combination of images tells a story and provokes a personal exchange between the art and the audience. 

Somebody once said about my paintings. "I could've done that." I replied, "But you didn't and I did. Now you can't because I did and that would be copying.

I am an oil painter from Valley Forge, in Chester County, PA with a passion for our natural environment and the creatures that inhabit it. Through the pandemic, I have become intrigued with birding. Inspired by the incredible variety of birds that live and migrate through our area, I was compelled to capture my surprising encounters with these captivating species in paint.  My hikes have taken me from Valley Forge National Park to the Bombay Hook National Wildlife Refuge in Delaware, to gather reference material for this year’s 25 Days of Minis collection.  My goal is to portray the distinct characteristics and personality of each bird I paint.

My road well traveled - there are certain things in life that I have a strong passion and love for which is my family, and creating fine art. I have loved the process for as long as I can recall. 

My passion - drawing, sketching, painting, attending art shows or exhibiting my own art. Although time consuming it is always in the positive for me...

Often I will find myself at my easel into the wee hours of the morning, difficult to pull myself away. I am a self taught artist who has taken advantage of art instruction and workshops throughout the years.

My message of success -  strong determination, to forge on even when feeling overwhelmed and lost in negative thought. This alone is one solid reason I yearn to have my art give solace and comfort to the viewer, the collector, the passerby... I would like to convey the same feelings I had when painting my artworks.

As a self aware empowered woman I bring to the collector the beauty of fine art. I am excited to be  a small part of the larger picture. It is an honor to call myself artist, and a privlidge to be a participating artist in 25 Days of Minis Online Juried Art show this year.

My paintings celebrate things we have in common, like an obsession with a film character, or a universal experience captured in a vintage photograph. When my mother developed dementia, I became interested in exploring the concept of memory. The vintage photos I paint often mirror our own daily lives and remind us of a shared history and the importance of telling our stories. The best stories are the ones that start with, "Remember that time ...?" and end with you and your friend laughing until you can’t breathe, even after the millionth retelling. 

WARNING: These paintings may cause serious waves of nostalgia and prolonged periods of reflecting on the past. If your reflection lasts more than 4 hours, put down the wine and step away from the painting.

My curious worlds are painted with intimate detail, blended depth, and vibrant walnut oil colors, that focus on beauty and delight. They highlight uplifting emotions on the bright side of life to lighten weighed down negativity.

Despite flouting rules of reality, my meticulous details are rooted in believability, while uncommon combinations of imagery raise curiosity and unfetter imagination to go beyond the ordinary. To foreground intimacy, the floating subjects are very close, while a distant sky creates space to breathe and maintain inner peace.

Due to Multiple Chemical Sensitivity, I use water-washed walnut oil and solvent-free techniques without brushstrokes allowing you to explore deeper stories beyond the surface in the realm of the unseen. My intention is for you to see the scene as real. If it's real, and you believe in it, then my work helps you believe in yourself.

Created from empowered clarity, these gemlike reminders encourage you to get out of your comfort zone, and purposely follow your own path knowing trust uplifts your world!

When viewing my oil paintings my collectors experience nostalgia, travel memories or a profound emotional connection to a loved one. My vivid colors, textures and compositions of timeless subject matter provide my viewers with a sense of calm & beauty. I strive to capture the pure essence of my subject using light and active brushstrokes.I'm inspired by the beauty of nature,the spirit of animals, the written word and the melodies of music. You'll often find song lyrics or poetry scattered through my paintings. every picture tells a story. Just ask me!  

I create painted storied inspired by memories and music. Each piece comes together by merging the image with story and song. It's a pretty simple formula: my intuition will tell me to paint an image, and during the painting process a song will start playing in my head, and a memory from my past will unfold. These painted stories are infused with inspiration, connection, and healing.

My acrylic paintings are about feeling it all! I paint botanical subjects with splashing paint, bold lines, vibrant colors, and lots of movement. When I look at flowers or observe a landscape, I see a miraculous display of color and movement unfolding before my eyes. Nature seems to accomplish the task of survival and procreation with such beauty and ease. To capture that feeling of wonder, I exaggerate color, contrast and shape. Every brushstroke reflects the freedom to express what is moving me.

Poppies are featured in many of my paintings, symbolizing resilience and rebirth. I practice intuitive painting, and my work explores layers of texture, rhythm and movement as I interpret it in the natural world. When I see poppies sprouting each year, I am amazed by how something so beautiful and fragile can be so resilient. It is this combination of fragility and strength that inspires me to paint them again and again.

One question I’m commonly asked is what the numbers in some of the pieces represent. It's about  how we used to come back from vacation and take our film to get developed. We would wait for the photos to be ready, many times opening the packet in the car before even leaving the parking lot, because we couldn’t wait to re-live the trip. Part of that experience was seeing the negatives, which had mysterious numbers along the sides. I started embedding similar random numbers along the sides on some of my paintings to evoke that feeling of another time, before the digital age, when we were less distracted and life moved at a slower pace.

Art reminds us of just how fabulous it feels to be alive. The journey of each painting begins with this intention; breathe and relax into presence. I begin to listen and allow space for what wants to be expressed in the moment. Without a plan, I let the painting intuitively unfold.

I work primarily in non-objective compositions, creating a bridge between my inner world and the material world. At any given time, I’m working on many paintings simultaneously. I create an orchestra of paintings around me, a back and forth of listening and response, not just to one painting but to a whole room of paintings.

I grew up in the Hudson Valley, spending my childhood drawing and painting, and exploring in nature. I’ve studied extensively in the movement and visual arts with teachers from all over the world. I live and maintain a year-round studio on the coast of Maine.

In my studio, I look through old photographs for that hint of emotion that I connect with. I further develop with sketches, values studies, and possibly research. I imagine a narrative —through the lens of my own history, relationships, culture, ancestors -- seen through the themes and ideas in the history of art. Figures are based on people I may have known or aspire to know. The means is a traditional method of oil painting, expressing personal storytelling, the intensity of relationships between people and their surroundings.  I am interested in the emotion that emerges, whether we want it to be known or not. My figures are real people, letting their true selves peek out.

I am a recovering people pleaser, so I understand exactly how it feels to live a life shaped to serve eveyone else's hopes and dreams while neglecting my own.  As an artist, my goal is to empower myself and others to lovingly embrace all emotions and to construct lives in accordance to our own unique vibration.  It's time to claim your space, my love!

Because life is full of joy as well as sadness, my work constanly moves back and forth between the two, either in separate pieces or all in one.  That vacilation, to me, is like breathing.  It is necessary to express the opposition, for one cannot exist without the other.  

I am primarily a mixed media artist.  I love the chaos that ripping-up paper and slapping it onto the bare canvas brings to the table.  Creating a little messiness takes a lot of control out of my hands, which I greatly apreciate, thank you very much!  From there, I add layers of ink, colored pencil, acrylic paint, or whatever else tickles my fancy.  When I decide it's finished, it gets signed and sealed!

If you're interested in seeing my other work, check out my website! (link above)

Thank you for visiting!!!

We live our lives in stories. Some are longer than others, while others may have been forgotten. There are stories of love and loss, of great joy, and ones we'll never forget. Many of them speak of lessons and truths we’ve learned.

Clayprinting is the perfect marriage of clay and printmaking, developed by my late husband, Mitch Lyons. My artwork is bright, colorful, and abstract, reflecting the new life I am building since his passing.

I approach each print with no end product in mind. I simply  begin by loading up my clay slab with textures and colors, and adding layer upon layer. I like to gently scrape off certain areas to see what lies beneath the surface. The is where the stories begin to emerge. They may have been hidden, but they’ve been there all along, making us who we are today.This is where the magic really happens.

For me it’s all abut exploration, curiosity and discovery.

A brief moment of light and color can unveil the beauty of our common, overlooked outdoor surroundings. These scenes challenge and inspire me to create impressionistic paintings where I strive to create a visual escape, capturing the subtleties of colors on an overcast day or the dramatic sunlight on a peaceful vista. Through my paintings, I provide my collectors a renewed memory of enjoying our great outdoors.

About My Paintings:

When painting, it is not the subject that excites me, but rather the bold, transient lighting that defines the shapes, contrast of values, color intensities, and abstract design of the scene. I typically paint in my home studio working from my sketches and digital photos of local parks or countryside. On nice days I prefer working in Plein Air where I get to enjoy the weather and feel the immediacy and rush to complete the painting on site. 

I paint in a loose and expressive painting style using both brush and painting knife working with a limited palette of only 6 colors, often finishing the painting in five or less short painting sessions. When painting I start with a charcoal outline of basic design followed by a monochromatic underpainting. Once dry, I then block in the basic colors focusing on the values and color intensities for the desired effect. I then complete the painting with multiple iterations of refinement in detail and color.

My focus is primarily on portraits, and I put my soul into each of them. My black and white portraits honor the Military. Drawing on my own experiences, I use both these portraits and my written words to reach Veterans who are struggling with PTSD. My goal is for those who see and hear my work to feel motivated, inspired, and alive.

Why Do I Create Art?

Life in the military was not easy—to say the least. It kept me away from my family while simultaneously making another family. It offers a camaraderie like no other, yet it also offers conflicts and struggles unseen to many.  I’ve lost many close friends through suicide and combat. Many of us struggle with PTSD and will continue with the unseen and seen injuries from training and combat. 

Painting is the one aspect of my life that helps me cope with it all—the physical and mental struggles. My use of colors—or lack of color with my black and white military inspired works and portraitures. The lack of color is intentional and lets you merge into my world. It lets you think beyond the work itself by taking you deeper into what I’ve been through. I call it my “Mental Balance”. While my portraits include vibrant colors and the love for life that I have.

What Is My Message?

Sometimes words are scarce and you can’t convey your message the way it is intended to for lack of listeners or understanding, however, painting is my way of letting you know that it’s ok to feel pain—but you have to let it go. Remember the pain, and continue moving on. Cherish each day and do that one thing that brings light into your life and everything else will fall into place… eventually.

Art can transport you. I make art that makes you STOP and take a visual vacation. I understand what it is to function in a day with a million obligations, and I relish a stolen moment to pause the chaos and escape into a colorful, airy piece of artwork.

I love a good 'color jolt' to break up my thoughts of endless "to-do" lists, and I long for that deep breath hidden in the airy/surreal textures of my pieces.  I want to remember special moments, thoughts and feelings when I look at a piece of art, and I hope that my artwork does that for you. 

I am passionate about creating artwork that makes you take a deep breath and allows you to take a moment for yourself. I believe to my core that every day brings a uniquely different opportunity........and that might be why I create with a fluid medium that moves and changes, just like you (and like me)!  You can't get the same result twice, even if you try!  So, bring on the challenge of the day - and give yourself permission to pause - permission to take in a moment of beauty - you definitely deserve it!

Bright, bold and beautiful are the colors with which I tell my stories. I "feel" the colors and I try to create art where others feel my art as well. I paint in multiple layers that develop the subject over many days.I paint with soft pastels, pastel pencils and my subjects are from nature. I try to capture the story that is being revealed to me and marry it with my own stories to create my art. I naturally gravitated towards a warmer pallet and my work is usually dominated with a lot of warm colors.

Art is a significant part of my life. I have been painting for over a decade now and art has saved my soul from despair many a times. Be it getting diagnosed with an autoimmune disease or my battle with depression and anxiety, art has rescued me several times. This has formed a deep relation between what I create and what I feel. I aspire to inspire my viewer to experience the moment before it is lost. My work similarly captures the moment right before it changes.

Stay in the Moment - Control What You Can

My art is a reflection of the healing power of nature. Being alone in nature allows me to be truly present in the moment; a place to unplug, unwind and exhale.

So often in life we feel the need to be in control. Daily responsibilities and sometimes unforeseen circumstances can make us feel as if we are in a constant state of over drive. I know. I have been there. Solitary time in nature even for a brief time allows me to process my emotions and recalibrate. The sounds, smells and sheer beauty of nature have an immediate calming effect on me.

When I paint I try to recreate these moments in a realistic and tangible way using both oil and watercolor as my mediums.

As you view my work I hope that you will experience those moments with me.

Born and raised in India, my work has been highly influenced by Indian folk art. I learned to appreciate folk arts through my travels around the country. I was intrigued by how each folk style had its own vocabulary, color palette, mediums, and motifs. Even though I admire every style of Indian folk art, Madhubani, Kalamkari, and Warli have captured my attention. Madhubani style: preliminary imagery, most dynamic color palette, and no negative space. Kalamkari style: one of the most decorative forms of art and influences Indian textiles. Whereas, Warli style is an ancient story-telling mural art. It uses the most basic vocabulary: circles, triangles, and a limited color palette of two colors white, black, and/or brown. The vibrancy of the painting is shown through the stories it portrays. Over the period of time, I have adapted the essence of each style and woven it into creating my signature style. However, whichever style I am in the mood to portray, I aim to preserve the subject's beauty.

Discovering Your Inner Strength 

There are times in our lives when we just can't find or believe in our inner strength.
We don't feel very strong or resilient.
Sometimes we are hit with really big challenges, losses and disappointments.
I have been there. I know.

My art with layers of color, pattern, texture and depth tells a story of what is underneath.
When you look at my work you might be drawn in by the surface colors, the images or the design.
But when you look more closely, layers emerge revealing surprises and hidden gems.

As a clinical psychologist, I help people gently peel away the layers that prevent them from accessing all of their strengths.
I help couples feel the love and connection that comes with vulnerability.
And I have had to dig deep at times to find my strength and courage. 

Let my art be a gentle reminder of your inner strength, resilience and beauty. 

I love sharing my art with others because I am sharing myself and my story.
I am telling you what matters to me.
When I see you connecting emotionally to a piece of mine, it touches me to know that I have added something of meaning to your life and a reminder of how strong you really are at the core.

My experience with the natural beauty around me flows through me onto the canvas. Because I paint from memory, my work is about the feeling of a place rather than a specific location. Collectors engage with my art as it sparks their own experience with and recollection of a watery landscape.

   "WHAT IS IT YOU PLAN TO DO WITH YOUR ONE WILD & PRECIOUS LIFE?"

My life has been guided by this question posited by Mary Oliver. Growing up in rural Pennsylvania, I dreamed of being an artist as a kid. As I grew into young adulthood, I decided to build a career in technology and management consulting, which spanned decades. I loved it. I channeled my creativity into my job—building businesses, inventing new products, creating growth strategies, building great teams.

After my retirement, I decided to refocus on my passion for art. I completed the Certificate Program at Pennsylvania Academy of the Fine Arts in 2019. I loved going back to school with students decades younger—I learned so much from them.

Today, I enjoy a full-time studio practice in the suburbs of Philadelphia. My paintings are abstracted landscapes that recreate the playful wonder and energy of simpler times for today’s world. I am inspired by the outdoors, childlike play, and exploration. Each painting holds the power to connect you with your own experience of freedom and uninhibited self-expression.

Sandi Neiman Lovitz

That gorgeous blue robin's egg... Yes, that is when I started my journey as an artist. I was only five years old. The color just went through me like a lightning bolt and opened up my passion for color. My box of crayons became my treasure chest. That lightning bolt struck again eleven years later when I saw, in person, an abstract painting by Franz Kline at the Carnegie Museum of Art. The power and expression of that painting gave me the freedom and permission to see beyond the traditional realist approach to art. I had not been taught to explore and push boundaries. I never realized it was possible. When I stand in front of a blank canvas I  jump down that blank portal and like "Alice in Wonderland", experience a world of magic and strange logic full of phantasmal shapes, glowing colors, and glorious marks .They jump from my eyes into my deepest emotions and then to my brush. I paint layers of colors and rhythms that breathe life into my paintings and open up stories for the viewer's imagination and curiosity.

CAPTURING MOMENTS OF SERENITY AND BEAUTY IN NATURE.

My inspiration

Stepping into Serenity through my paintings. You are invited to come along with me on my walks with nature. For me it is about capturing those moments of  serenity and beauty in nature.  My forever challenge is to offer the impression of what stirred my soul so that it will reach out and stir the viewers soul. The intent is to sooth and comfort the viewer.   There is no doubt as to where I receive my inspiration. As a child, I grew up in the country and loved walking through the woods and in the mountains surrounding my home.   It was the beginning of a deep appreciation for nature and the landscape.   I relish moments spent taking walks through nature.  I invite viewers to come along on those forays through the serene greens of summer, the sweet blossoms of spring, the golds and rusts of autumn and even the blue and purplish grays of winter.  All of that has a powerful effect and influence upon what I paint awakening a passion from within my soul.

My Journey Through Life

Yesterday, today and always while on my journey through life, with a whispered prayer of gratitude to God, I aspire to capture that spirit, serenity, the moods, tranquility and beauty of nature in hope that your spirit will experience an uplifting if even for a few moments in time.  Each day I strive to learn and understand more so as to bring a better reverence for the beauty of nature that sourrounds us all.  Join me on that journey~~ that walk into the serenity of nature.

The Spirit of Art

Besides enjoying the creativeness of drawing and painting, taking piano lessons was a part of my life growing up.  There has always been a connection between music and fine art for me.  I enjoy composing my own music in much the same way when composing my art.  One muse leading into the other. The soul reaches out and goes beyond.

My Art Mediums of choice

While an art major in highschool, I was introduced to many art mediums.  Soft Pastels and Oils still remain my favorite mediums.  Over the years I have worked in watercolors and acrylics as well. 

 A side note

I hold Signature Membership in the Pastel Society of America and also the Maryland Pastel Society. This year, 2021, was an honor to have had one of my paintings juried into the 124th Catherine Lorillard Wolfe Art Club and exhibited in the Salmagundi Art Club in New York.  My work was also juried into 6 national art competitions  this year, as well as being honored with a Bronze Medal in the National Redwood Forest competition.  You will find my work featured in several art magazines, including "Pastel Journal," as well as several art book publications.

Thank you for your appreciation of my art.  

Wishing you the very best of times,

Artfully yours,

Sandy

Currently, in our socially distanced world, it is hard to feel connected. I’m focusing on discovering beauty in connection, whether to God, creation, my hometown roots, or my community. With the abundance of quiet time I currently have, I’m able to reflect and find joy in these connections that I once took for granted. It is my desire to share these connections with you: a memory, a story, a feeling packaged in a visual interpretation of emotion.

My paintings are a visual diary of the places and people I observe, inspired by travels near and far. From the spectacular natural beauty surrounding my home in eastern Tennessee to the distinctive lights and personalities of cities, there’s nothing that I love more than using vibrant color to capture these venues and share their energy with collectors.

I paint intuitive energetic abstracts using bold colors and forms. Even at their most abstract, my paintings are deeply rooted in my life experiences of growing up in India, migrating to the US, my engineering background, a love for exploring and experiencing new places and finding beauty in everyday mundanity. My paintings explore the themes of culture, city life, nature and geometry

 I begin the paintings with a simple mark, or with some left over color, without a set idea in mind, as I add more elements, I let the painting decide where it wants to go. Sometimes it is simple and quick, but often it takes multiple layers to finish a composition.

 On the surface the first impressions to a viewer may be the bright colors and the bold shapes, but as they spend more time with the painting, the details draw them to look deeper and explore. What I find most rewarding is when through the abstraction, people are able to connect to an emotion, or a place, or a time in their life. Sometimes it matches my idea and that is great but what is even better is when they have a completely new experience and I rediscover the painting through their eyes.

My paintings are the expression of an appreciation of nature in an intimate form. No big vistas, instead I'm interested in those small, magical moments where light, texture, and form meet nature.

The texture of bark, the shapes made by interwoven branches, the repetition of line in a grove of aspen...these are the things I try to capture in my work.      

Sean Huntington lives not far from where he grew up, and his greatest inspiration... in the forest along the New York/Pennsyvlania border! He is most at home on a trail, annoying his friends with scientific names and interesting-to-him nature nerd stuff. When not out in the woods , Sean maintains a studio in Olean NY, where he does his best impression of a big and tall version of Bob Ross.  

I was born in Ohio, then spent my childhood in a small village in the Netherlands. Turns out Dutch is not a super useful second language but the trade off was an idyllic place to grow up! My family moved back just in time for a senior year of high school which turned out to be another tough transition. College was better and I went on to receive my Bachelor of Fine Arts degree followed by earning a Masters Degree in Psychology with further post graduate studies in Art Therapy. I have a fantastic partner of 20 years in my husband James and the love of 4 good-ish dogs.

I believed I needed to set aside my own creative endeavors to pursue my career as a Marriage Family Therapist but ultimately came to understand that an important part of me was missing and I desperately needed it back. Upon recognizing that loss, with the James’ support, made a comeback to art making after a dozen years. In 2011, I signed up for an adult painting class and haven’t looked back since. I find being a painter allows me to reflect on, express feelings about, and ultimately find delight in all the messy beauty I experience in life all around and within me.

Influenced by nature, in particular my reverence for the Animal Kingdom, I’m inspired to create delight-filled abstractified animal portraits. As a mixed media painter, I am unable to imagine declaring loyalty to just one medium. Within the layers of my paintings one can spy graphite, acrylics, gold leaf, colored pencil, and oil paint, all topped with a matte varnish. 

Being outdoors, feeling the wind, smelling the flowers, passing by the woods, watching the movement of sunlight as it hits all of these sights and capturing it on the canvas is precious to me. My subjects are usually natural landscapes, trees, flowers and people. I have been painting pleinair in an impressionistic style and am now shifting to realism. Using acrylics and oils as my medium, I strive to bring depth into my paintings. They make people see the wholeness of the subject and appreciate its beauty. 

I'm a painter of people. And I paint with all the love, respect and fascination that I feel for people of all walks.

I live in New York City, a 24x7 source of inspiring humanity, diversity and creativity. Museums, galleries, sketching and painting from live model sessions, all fuel my work. Plus an iPhone with an approximate zillion photos of captured moments that I'm always on the lookout for.

My collectors connect with deep emotion when they experience my paintings. For some, they feel personal identification, as if they've been recognized and given a voice. For others, the emotion they feel is compassion for humanity. 

Every one of my paintings carries my belief that every one of us deserves love and acceptance.

Growing up in the Adirondack Park and Thousand Island regions of New York state, gave Steve many opportunities to enjoy and learn about not only the natural beauty of the area and the animals living there.  It was this fascination with wildlife and his lifelong interest in drawing and painting that encouraged him to focus on wildlife art and begin his career as a professional almost 30 years ago.

Primarily working with acrylic paint, Steve makes every effort to observe and understand each of his subject matters, with the intent to honor the animal in a painting or drawing.  The challenge is to render each animal accurately with regards to anatomy and color, and still create a piece of art that is interesting and distinctively his.  My work is generally characterized by strong compositions and meticulous detail to accurately portray animals in their natural habitat.  Sometimes, I find the research to learn and understand each animal takes as much time as the actual painting itself.

Inspiration comes from his lifelong curiosity and fascination of all living things and his many personal experiences while traveling to places all over North America and Africa. 

In addition to receiving numerous awards and much recognition for Steve's animal art, I have taken part in many regional, national and international wildlife art shows.  

"I think when enthusiasts engage with my work, it somehow strikes a chord with them that maybe helps them recalls a magical moment in their lives or perhaps allows them to see a special moment, experience or inspiration in mine.  Painting is an unspoken language that grants me the ability to express my fascination and appreciation for the natural world and then connect with people who enjoy those same amazing things."

I paint run down, worn-in urban environments as a way to study gritty places and people.

​Every painting begins with a layer of newspaper permanently adhered to the surface. The purpose of the newspaper is to simulate the chaos and noise found in urban environments. Layers of transparent and opaque paint are then built up over the surface. Through this process, subtle areas of the background are revealed ...windows fill with people, headlines bleed through the sky, graffiti-like graphics appear on walls.

How do I choose my subject matter?

I paint from the gut. Most of the time my subjects find me..and by choosing to remain mindful of those connections, I am able to collect ideas for future exploration. I do this with photographs, quick sketches, and journaling. Over time, I began noticing commonalities in the work that I was creating, most notably the desire to capture grittier subjects. As I became more and more curious about what grit was, I discovered that it was the central theme in my work.

​Grit is courage, passion, perseverance, determination, and resilience. The subjects found in my work either set a stage for grit to be present (forgotten corners of cities) or explore what grit looks like in action (the business owner surrounded by their hard work and dreams).

​Every single painting is a way for me to open up about who I am and connect with people who have thrived despite challenging circumstances in their lives.

I am obsessed with painting fish and the bowls that contain them. I love their graceful movement, vivid color and simple beauty.

I love the way light hits the body of a fish and creates a luminous glow, one that I am continually striving to capture on canvas.

The bowls provide endless inspiration as well. The prisms of light reflected on the glass rim or on the surface of the water present an exciting challenge to capture with paint. 

For me, fish represent so many things - harmony, gracfulness, and tranquility, but also feelings of loneliness and isolation. 

My painting ritual is a reminder to... just keep swimming...even when life feels hard and uncertain. It is possible to move through any situation with strength and grace and fluidity. 

My paintings bring you to calm places. They are focused on scenes in the world around us, and they mean to slow you down and give you feelings of peace. It’s all about capturing the moment in time, the light, the essence of any subject. Colors, light and shadow, shapes and contours are all fascinating elements. It’s all about recording and emphasizing what I’m seeing. And as an artist I’m grateful to find that what I do is appreciated and enjoyed by others. It’s that sense of bringing joy to other people and elevating their world and bringing them peace. 

Best described as figurative portraiture, my artwork is created using acrylic paint on both wood and stone by using bright colors with a strong attention paid to detail. Through my work I like to share experiences from both my life and the lives of others... everyone has a story and the most interesting people and the most interesting stories are the people and the stories you'd never expect... embrace the unexpected in life; rarely does something that goes to plan make for an epic tale. 

We never feel caught up with our to-do lists. We are tired, stressed, and overwhelmed. We need to take some time for ourselves.

Painting a mandala helps me to slow down and find my momentary peace.  

Layered with vibrant colors, textures, and symbolisms, I paint mandalas that reflect imprints of the centuries-old South Indian meditative ritual art called Kōlam with distinct intricacy, precision, and symmetry and its effect on mindfulness and spirituality.

Here, in my home studio, I use a tiny paintbrush to make colorful, intricate symmetrical mandala patterns with lines, loops, and curves -- working organically from the center outwards. I am focused. I feel a sense of calmness and clarity.  I capture glimpses of my childhood while I am engrossed in making my mandala patterns. I can see reflections of vibrant color, I can smell the sweet fragrance of Jasmine, I can feel the power of chanting mantras, I can hear the noise of people chattering and children giggling in the background. I can taste the aromatic Indian delicacies: a sign of celebration, unity, and harmony. Painting a mandala gives me a feeling of belonging and identity, a practice that makes me feel closer to my home. 

For the 25 Days of Minis, I am releasing my brand new collection of minis series: Karmic Doorways, Rituals, Celebration, and Energy Centers. 

Feel the inner tranquility in your space that helps you stay focused and regain your sense of calm & purpose. 

Find Your Peace. 

Namaste!